LYU Qiuqin currently resides in France, working between Angers and Paris on artistic creation and embroidery design. She graduated from the École Supérieure des Beaux-Arts in Angers, France, with a Master’s degree.
She regards embroidery as a form of “writing”, reconstructing recollections through the act of stitching. Fibre narratives begin with a single thread, perpetuating individual memories; in her view, thread and fabric serve as conduits for temporal imprints and emotional shifts.

Born in Kanagawa, Japan, in 1986. After graduating from Musashino Art University, she studied Space Design and Art at the École Nationale Supérieure d’Art et Design de Dijon in France.

Working in urban space as her field, she reconsiders the relationships between the city, nature, and people through walking and interviews, using photography and printing processes, maps, and measurement.

In recent years, she has been developing the sundial project “Sun of the City,” which visualizes a site’s specific temporality through the movement of shadows, and cyanotype works based on time zone maps. Through these works, she questions where the center of time lies and what shapes what we call “correct.” By working within sites in transition, she reveals layered strata of time and traces embedded in the landscape.

Scarlett Yang is a Hong Kong artist and design researcher based in London, UK. Her practice centers on fiber materials and eco-science/engineering, combining bio-based material research with generative imagery and installation-led storytelling.

Dafu Yan is an artist born in Changde, Hunan Province, in 1994. He graduated from the Department of Oil Painting at the Lu Xun Academy of Fine Arts with a bachelor’s degree in Shenyang in July 2016. In January 2020, he earned a master’s degree from Chelsea College of Arts, University of the Arts London. Currently, he is one of the owners of 33ml Offspace and works and lives in Hangzhou and Shanghai. His works span installation, painting, and moving images.

Alexa Kanarowski is a multimedia artist and photographer. She is currently an MFA candidate at Oxford University’s Ruskin School of Art. Her work merges craft processes and photography to focus on the landscape, cultural, and systemic patchworks that contribute to defining the everchanging now. She holds a BFA from Cornell University, and her work has been exhibited throughout New York State, including at the Buffalo Institute for Contemporary Art and the Johnson Museum of Art (Ithaca, NY).

Anastasia Komar is an artist with a background in architecture and environmental design whose practice explores the interplay between organic and synthetic forms. Drawing on bioengineering, evolutionary theory, and mythology, she examines complex relationships that connect materials, histories, and speculative futures. Through installations, sculptures, and paintings, she constructs conceptual narratives shaped by biology, technology, and myth.

Anne Isensee is an animation director from Berlin. She studied Animation at the Film University Babelsberg, the EnsAD Paris and the School of Visual Arts New York as a Fulbright scholar. Her animated short films have been shown and awarded at international film festivals. She has given lectures and workshops about equity, accessibility and inclusion in film. Since 2025, she is the co-chair of ASIFA Germany.

ASCP is a creative studio specializing in visual arts and scenography, founded by Adeline Faveau and Matgaux Oria Flora. ASCP combines strategy, creatIvity, and technical expertise, drawing on post-internet culture to reveal engaging and popular visual narratives.

Geert Keuter (1965), turns the temporary nature of beautifully produced printed matter into mobiles that are sustainable. Trained as a graphic designer at the Royal Academy of Art in The Hague, he has always felt the urge to make ‘free’ work in addition to the work for his design agency Studio12. Clarity in composition – good balance, fun and tranquility are the starting points.

Born in 1987 in Chateauroux, France, Guillaume Talbi lives and works in Paris and China. He graduated from the Ecole Nationale Supérieure des Beaux-Arts in Paris. He is represented by the Alain Gutharc Gallery. His work has been showcased in both solo and group exhibitions in France and abroad.

Born in Xi’an and arriving in France at the age of ten, Helio Pu is a Chinese-French filmmaker and actor who draws inspiration across multiple cultures and languages to expand the borders of imagination and our perception of time. His practice merges cinema and poetry into a fluid architecture of memory and hybrid identity. Drawing from his dual heritage, he navigates between the real and the surreal through both analog and digital media, crafting immersive worlds that question perception and belonging. His visionary approach to storytelling connects personal emotion with collective imagination.

Minh Lê Boutin is a French-Vietnamese multidisciplinary artist, composer, and musician whose background bridges digital arts, jazz music, and electroacoustic composition. Her work explores an audiovisual symbiosis where sound becomes an emotional and organic material, inspired by ecology and the poetics of nature. Through her immersive practice, she investigates the subtle links between inner and outer landscapes, creating poetic ecosystems where sound, nature, and care intertwine.

Ceramic artist Judith Bloedjes (1968) is a master in hand-throwing Limoges porcelain, the basis of her beautiful jewelry, wall objects and vase curls. She subtly and decisively explores color, shape and material, always looking for the perfect balance between beauty and innovation.

Julie Semoroz is a French Swiss artist whose artistic practice explores the intersections between art and science. Her interdisciplinary approach is characterised by a deep commitment to the physical properties of sound and its relationship with the human body and the environment. She creates immersive sound installations and experimental performances that aim to transform our perception of space and time through the use of sound. She creates unique sound experiences that invite audiences to reflect on their place as human beings in the world.

In Kai Yoda’s practice, visions surface buried impulses—intimacy, desire, and instinct— manifesting in landscapes of chimeric figures against acidic backdrops. Collaborations with AI and scent extend these imaginative origins, while his background in environmental information, photography, and moving image informs a keen awareness of the auratic power of images: their ability to hold imperceptible energies and serve as sites of return.

Line is an artist specializing in public, ecological and participatory art, with an approach that relies on the use of natural and recycled materials. Her work explores the possibilities of art in urban space, seeking to free itself from traditional supports while questioning our relationship with the environment. A graduate of the Beaux-Arts of Bordeaux and Nantes, she deepened my practice at the École nationale de La Cambre, with a specialization in public art.

Born in La Plata, Argentina, Mariela Vita is a contemporary artist whose practice unfolds through sculpture and site-specific installations. Her work explores the intersections between animism, architecture, and emotional perception, creating environments that invite contemplation and encounter. Through the use of repurposed materials, graphic traces, and architectural gestures, she constructs spaces that reveal the living presence within matter.

Olga Shcheblykina is a visual artist based in Vienna, Austria. She holds a degree from the University of Hertfordshire UK, and pursuing further education at the University of Arts in Linz. Shcheblykina´s artistic practice moves between painting, sculpture, and installation. She creates hybrid, volumetric forms that explore the interplay between personal experience and broader social contexts, revealing the complex dynamics of emotion, corporeality and transformation. Her works are included in LENTOS Kunstmuseum, Sparkasse Oberösterreich, and many private collections.

Denis Rodriguez and Leonardo Remor are artists, curators, and researchers. They reflect on the Art and Nature dyad in projects that focus on rural areas, the land, and the transmission of ancestral knowledge and technologies of popular creators and the Indigenous peoples of Eastern South America. Since August 2020, they have resided in Igatu, Chapada Diamantina, Bahia, where they founded Mirante Xique-Xique, a parainstitution that promotes research residencies in different areas: environment, architecture, cuisine, and arts. Through cultural activities, exchanges, and environmental education, the non-governmental, non-profit organization’s mission is to safeguard the region’s architectural and intangible heritage.

Born in 1970 in Schaffhausen, Switzerland, he grew up in Diessenhofen and Schaffhausen, and currently lives and works in Zurich.
Netzhammer’s core practice includes spatial installations andsound-accompanied video works. These computer-generatedvideos present surreal, repetitive cinematic sequences. Theirnarrative approach is likewise deeply surrealist: he mergespleasure and discomfort, the inanimate and the animate, animalsand humans,allowing objects and beings to fow into andtransform into one another.